When I first laid
eyes on the “Pick a memory” suitcase at Hopkinson’s I found the idea rather
bizarre. Why on earth would you want a photograph of someone else’s life? Of
people you don’t know? In places you don’t recognise? To an extent it even made
me feel quite intrusive to be looking at images of brides beaming on their
wedding days, grandparents with grandchildren, friends laughing together, as if
I had no business viewing these images.
However, as I
thumbed through a few of the piles of photos I began to feel a different
emotion. I had a great sense of intrigue and interest into trying to understand
what the story of the image was. Of course I could only speculate as to the
origins of the photograph but what I was sure of was that whoever had taken
these pictures had captured a moment from their life and was now sharing it. The owners of these images obviously had no
use for them anymore, again the reasons are speculative, however, through the
image finding its way into this exact suitcase at Hopkinson’s it would have a
whole new lease of life.
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Robert Rauschenberg, Untitled, 1955 www.curatedaily.com |
When you look at
the work of artists of the 1950’s, for example, Rauschenberg, you can see how
found images can be utilised within an artwork to create the most interesting
of creations. If you’re an artist struggling to come up with a concept, I
suggest a quick look through the “Pick a memory” suitcase as it is a great
source of inspiration.
Written by Victoria
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